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The Akerman Year

The Akerman Year

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Chantal Akerman’s work stretched across mediums, formats, modes, concerns, countries, and production models, but only a handful of them have actually been seen by most cinephiles, especially in North America. In this monthly miniseries, we (Kate, Simon, and an assortment of special guests) will make a comprehensive case for Akerman as belonging on any list of the great artists of the last century — not only for her relatively “famous” works, but also for her dozens of much-less-seen projects.

Recent Episodes

  • Part 11: L'adaptatrice (ft. Rebecca Sheehan)

    9 months ago

  • Part 10: Self-portrait (ft. Patricia White)

    1 year ago

  • Part 9: Akerman vs. America

    1 year ago

  • Part 8: See and don't see (ft. Alisa Lebow)

    2 years ago

  • Part 7: Song and dance (ft. Girish Shambu)

    2 years ago

  • Part 6: Have you considered analysis? (ft. Miriam Bale)

    2 years ago

  • Part 5: Hot summer nights (ft. Caden Mark Gardner)

    2 years ago

  • Part 4: Placement and displacement (ft. Jessica Bardsley)

    2 years ago

  • Part 3: in correspondence (ft. Lakshmi Padmanabhan)

    2 years ago

  • Part 2: Unsimulated eating, unsimulated sex (ft. Erin Nunoda)

    2 years ago