Aria Code

Aria Code

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Aria Code is a podcast that pulls back the curtain on some of the most famous arias in opera history, with insight from the biggest voices of our time, including Roberto Alagna, Diana Damrau, Sondra Radvanovsky, and many others. Hosted by Grammy Award-winner and MacArthur “Genius” Fellow Rhiannon Giddens, Aria Code is produced in partnership with The Metropolitan Opera. Each episode dives into one aria — a feature for a single singer — and explores how and why these brief musical moments have imprinted themselves in our collective consciousness and what it takes to stand on the Met stage and sing them. A wealth of guests—from artists like Rufus Wainwright and Ruben Santiago-Hudson to non-musicians like Dame Judi Dench and Dr. Brooke Magnanti, author of The Intimate Adventures of a London Call Girl—join Rhiannon and the Met Opera’s singers to understand why these arias touch us at such a human level, well over a century after they were written. Each episode ends with the aria, uninterrupted and in full, recorded from the Met Opera stage. Aria Code is produced in partnership with WQXR, The Metropolitan Opera and WNYC Studios.

Chances are, you know the overture to The Barber of Seville (maybe from Bugs Bunny?!) but Gioachino Rossini’s most famous opera is more than a comedic romp. Embedded in the topsy-turvy tale of young love and silly disguises, there is a story of forced marriage and a woman’s determination to live a life of her choosing.

We meet the heroine Rosina for the first time in the aria “Una voce poco fa,” in which she declares that while she may seem sweet and innocent, she is really not someone to be messed with. Host Rhiannon Giddens and her guests explore the courage it takes to live life on your own terms and the way this almost absurd story pulled from a centuries-old novel still resonates today. You’ll hear how one guest has her own escape-from-a-forced-marriage story that uncannily matches Rosina’s.

The Guests:

Soprano Pretty Yende first sang the role of Rosina in Norway in 2014, and it’s since become one of her favorite roles. She loves playing Rosina because the character is fun, witty, and unlike so many operatic heroines, she gets to hit all the high notes and live happily ever after.

Conductor James Conlon is Music Director of the Los Angeles Opera. He first heard The Barber of Seville when he was 11 years old and fell in love on the spot. Later that summer, he made his debut as director, producer, and Count Almaviva in his friend’s garage, with a very appreciative audience lined up in the driveway.

Activist Jasvinder Sanghera is a survivor of forced marriage. She has spent the last four decades advocating for women, children, and men silenced by domestic abuse and forced marriages, and founded the award-winning charity Karma Nirvana in 1993.

Recent Episodes

  • Rossini's Barber of Seville: On a Wig and a Prayer

    2 weeks ago
  • Verdi's Aida: There's No Place Like Home

    4 weeks ago
  • Puccini's Turandot: Hope Never Sleeps

    1 month ago
  • Aria Code Is Back and Bigger Than Ever!

    2 months ago
  • Rossini's La Cenerentola: Opera's Cinderella Story

    1 year ago
  • Offenbach's Tales of Hoffmann: Fool for Love

    1 year ago
  • Puccini's Turandot: Bewitched, Bothered, And Beheaded

    1 year ago
  • The Gershwins' Porgy and Bess: Rise Up Singing

    1 year ago
  • Strauss's Der Rosenkavalier featuring Renée Fleming: Here's To You, Mrs. Marschallin

    1 year ago
  • Gluck's Orfeo ed Euridice: Don't Look Back in Ardor

    1 year ago